Press
20.02.23: ‘BBC announces recipients of Small Indie Fund 2023’
12.01.22: ‘BAFTA reveals longlist for the EE British Academy Film Awards in 2022’
08.12.21: ‘BAFTA unveils Breakthrough UK participants for 2021’
03.11.21: The Hollywood Reporter: ‘British Independent Film Awards’
21.10.21: Variety: ‘Censor,’ ‘After Love’ Filmmakers Among BIFA New Talent Longlist’
18.08.21: The Face: ‘The women behind British horror Censor dissect its bloody chills’
17.08.21: NME: ‘Censor: behind the screams on 2021’s most striking horror film’
14.08.21: The Observer: ‘Blood, gore and a healthy dose of catharsis: why horror can be good for us’
01.04.21: Screen International: ‘Sundance horror ‘Censor’ acquired for UK-Ireland cinema release’
10.02.21: Sight and Sound: ‘Censor splices cut-throat video nasty violence with smart social commentary’
02.02.21: Independent: ‘Censor: The story behind the best British horror film in years’
31.01.21: Hey U Guys: ‘Prano Bailey-Bond and Niamh Algar interviews by Scott J. Davis’
30.01.21: Little White Lies: ‘Censor – first-look review’
29.01.21: Time Out: ‘Censor review’ ★★★★
29.01.21: Screen International: ‘Censor’: Sundance Review’
29.01.21: The Guardian: ‘Censor review – disturbing descent into video nastiness’ ★★★★
28.01.21: The Guardian: ‘Sundance 2021: which films might break out this year?’
28.01.21: Variety: ‘Sundance: British Director Prano Bailey-Bond on Psychological Horror ‘Censor’’
26.01.21: The Daily Dead: ‘Sundance 2021 Preview: 12 Films Not to Miss at this Year’s Virtual Festival’
25.01.21: Women and Hollywood: ‘Sundance 2021 Women Directors: Meet Prano Bailey-Bond – “Censor”’
20.12.20: Digital Spy: ‘First look at ‘Raised By Wolves’ and ‘The Virtues’ star in new horror movie’
16.12.20: Deadline: ‘First Look At Niamh Algar In Sundance Midnight Selection ‘Censor’
15.12.20: Roger Ebert: ‘Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More’
15.12.20: Bloody Disgusting: ‘The Sundance Film Festival Has Plenty of Horror to Go Around’
15.12.20: Vanity Fair: ‘Sundance 2021 Reveals Its Lineup’
15.12.20: IndieWire: ‘Hidden Gems and Big Surprises from the Sundance 2021 Lineup’
15.12.20: The Playlist: ’25 Most Anticipated 2021 Sundance Film Festival Premieres’
15.12.20: Variety: ‘Sundance Film Festival Lineup Features 38 First-Time Directors’
15.12.20: IndieWire: ‘Sundance 2021 Reveals Full Slate’
11.12.20: Variety: ‘Variety Names 10 Directors to Watch for 2021’
24.11.20: IndieWire: ‘Sundance Wish List: 50 Films We Hope Will Premiere at the Festival in 2021’
24.08.20: BBC Culture: ‘The New Era in Filmmaking’
11.05.20: Variety: ‘Brit Industry Stands on Strength and Talent…’
16.04.20: Screen Daily: ‘Cannes 2020: what was in the running (and still might be)’
29.02.20: Variety: ‘Berlin Film Festival 2020 Winners’
29.02.20: IndieWire: ‘Berlin 2020 Winners…’
29.02.20: Deadline: ‘Berlin Film Festival Winners…’
29.02.20: Cineuropa: ‘Berlinale 2020 Awards…’
17.01.20: Berlinale: ‘Programme Encounters Completed: Vitality of Cinema in all of its Forms’
17.01.20: Screen Daily: ‘Berlin Film Festival reveals first titles for new Encounters competition’
17.01.20: Deadline: ‘Berlin Inaugural Encounters Competition to Bow New Films…’
09.01.20: Screen Daily: ‘Six Talking Points for the UK Film Industry in 2020’
03.01.20: Screen Daily: ’15 films to tempt festival directors in 2020′
24.09.19: Screen Daily: ‘Niamh Algar to star in Prano Bailey-Bond’s ‘Censor’; Protagonist boards sales’
24.09.19: Deadline: ‘Protagonist board UK horror Censor’
24.09.19: Ffilm Cymru Wales: ‘Filming Commences on Censor’
24.09.19: Bloody Disgusting: ‘Censor heads back to 1985 and centres on a Video Nasty’
14.05.18: Bloody Disgusting: ‘Highlights from Frontieres Platform at #Cannes2018’
17.04.18: Screen Daily: ‘Cannes Marche Frontieres Platform selects projects’
18.01.18: Screen Daily: ‘Baskin’, ‘The Transfiguration’ directors picked for Frontieres Finance Forum’
04.10.17: Screen Daily: ‘First projects for London’s Production Finance Market announced’