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Press

10.02.21: Variety: ‘‘Social Hygiene,’ ‘We’ Among Berlin Encounter Selections, ‘Censor,’ ‘Dirty Feathers’ in Panorama’

10.02.21: Sight and Sound: ‘Censor splices cut-throat video nasty violence with smart social commentary’

03.02.21: Metro: ‘Censor could be the ‘best horror film of 2021′ after positive Sundance Film Festival reaction’

02.02.21: Independent: ‘Censor: The story behind the best British horror film in years’

01.02.21: i news: ‘Censor, review: atmospheric exploration of trauma, grief, and the power of video nasties’ ★★★★

31.01.21: Hey U Guys: ‘Prano Bailey-Bond and Niamh Algar interviews by Scott J. Davis’

30.01.21: Little White Lies: ‘Censor – first-look review’

29.01.21: Time Out: ‘Censor review’ ★★★★

29.01.21: Screen International: ‘Censor’: Sundance Review’

29.01.21: The Guardian: ‘Censor review – disturbing descent into video nastiness’ ★★★★

28.01.21: The Guardian: ‘Sundance 2021: which films might break out this year?’

28.01.21: Variety: ‘Sundance: British Director Prano Bailey-Bond on Psychological Horror ‘Censor’’

26.01.21: The Daily Dead: ‘Sundance 2021 Preview: 12 Films Not to Miss at this Year’s Virtual Festival’

25.01.21: Women and Hollywood: ‘Sundance 2021 Women Directors: Meet Prano Bailey-Bond – “Censor”’

21.12.20: The Hollywood News: ‘First look at upcoming horror film ‘Censor’ which will premiere at Sundance in January’

20.12.20: Digital Spy: ‘First look at ‘Raised By Wolves’ and ‘The Virtues’ star in new horror movie’

16.12.20: Deadline: ‘First Look At Niamh Algar In Sundance Midnight Selection ‘Censor’

15.12.20: Roger Ebert: ‘Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More’

15.12.20: Bloody Disgusting: ‘The Sundance Film Festival Has Plenty of Horror to Go Around’

15.12.20: Vanity Fair: ‘Sundance 2021 Reveals Its Lineup’

15.12.20: IndieWire: ‘Hidden Gems and Big Surprises from the Sundance 2021 Lineup’

15.12.20: The Playlist: ’25 Most Anticipated 2021 Sundance Film Festival Premieres’

15.12.20: Variety: ‘Sundance Film Festival Lineup Features 38 First-Time Directors’

15.12.20: IndieWire: ‘Sundance 2021 Reveals Full Slate’

11.12.20: Variety: ‘Variety Names 10 Directors to Watch for 2021’

24.11.20: IndieWire: ‘Sundance Wish List: 50 Films We Hope Will Premiere at the Festival in 2021’

24.08.20: BBC Culture: ‘The New Era in Filmmaking’

11.05.20: Variety: ‘Brit Industry Stands on Strength and Talent…’

16.04.20: Screen Daily: ‘Cannes 2020: what was in the running (and still might be)’

29.02.20: Variety: ‘Berlin Film Festival 2020 Winners’

29.02.20: IndieWire: ‘Berlin 2020 Winners…’

29.02.20: Deadline: ‘Berlin Film Festival Winners…’

29.02.20: Cineuropa: ‘Berlinale 2020 Awards…’

17.01.20: Berlinale: ‘Programme Encounters Completed: Vitality of Cinema in all of its Forms’

17.01.20: Screen Daily: ‘Berlin Film Festival reveals first titles for new Encounters competition’

17.01.20: Deadline: ‘Berlin Inaugural Encounters Competition to Bow New Films…’

09.01.20: Screen Daily: ‘Six Talking Points for the UK Film Industry in 2020’

03.01.20: Screen Daily: ’15 films to tempt festival directors in 2020′

24.09.19: Screen Daily: ‘Niamh Algar to star in Prano Bailey-Bond’s ‘Censor’; Protagonist boards sales’

24.09.19: Deadline: ‘Protagonist board UK horror Censor’

24.09.19: Ffilm Cymru Wales: ‘Filming Commences on Censor’

24.09.19: Bloody Disgusting: ‘Censor heads back to 1985 and centres on a Video Nasty’

14.05.18: Bloody Disgusting: ‘Highlights from Frontieres Platform at #Cannes2018’

17.04.18: Screen Daily: ‘Cannes Marche Frontieres Platform selects projects’

18.01.18: Screen Daily: ‘Baskin’, ‘The Transfiguration’ directors picked for Frontieres Finance Forum’

04.10.17: Screen Daily: ‘First projects for London’s Production Finance Market announced’